{"id":34073,"date":"2026-08-09T06:43:31","date_gmt":"2026-08-09T01:43:31","guid":{"rendered":"https:\/\/usnews-14267fa.ingress-comporellon.ewp.live\/?p=34073"},"modified":"2026-08-09T06:43:31","modified_gmt":"2026-08-09T01:43:31","slug":"jane-schoenbrun-on-tackling-toxic-soup-of-slasher-genre-in-camp-miasma","status":"publish","type":"post","link":"https:\/\/usnews-14267fa.ingress-comporellon.ewp.live\/?p=34073","title":{"rendered":"Jane Schoenbrun On Tackling &#8220;Toxic Soup&#8221; Of Slasher Genre In &#8216;Camp Miasma&#8217;"},"content":{"rendered":"<p><script>\r\n  atOptions = {\r\n    'key' : '644b717812d811d6a1c1fc5b6ccd6fa6',\r\n    'format' : 'iframe',\r\n    'height' : 90,\r\n    'width' : 728,\r\n    'params' : {}\r\n  };\r\n<\/script>\r\n<script src=\"https:\/\/www.highperformanceformat.com\/644b717812d811d6a1c1fc5b6ccd6fa6\/invoke.js\"><\/script>\r\n<br \/>\n<\/p>\n<div>\n<p class=\"wp-block-paragraph\">With their latest directorial outing, <a href=\"https:\/\/deadline.com\/tag\/jane-schoenbrun\/\" id=\"auto-tag_jane-schoenbrun\" data-tag=\"jane-schoenbrun\">Jane Schoenbrun<\/a> used subtle pieces of nostalgia to deconstruct the slasher genre.<\/p>\n<p class=\"wp-block-paragraph\">The <em><a href=\"https:\/\/deadline.com\/tag\/teenage-sex-and-death-at-camp-miasma\/\" id=\"auto-tag_teenage-sex-and-death-at-camp-miasma\" data-tag=\"teenage-sex-and-death-at-camp-miasma\">Teenage Sex and Death at Camp Miasma<\/a><\/em> writer\/director explained to Deadline that they wanted to create \u201ca mindset where you can really enjoy something scary,\u201d noting the frequent symbolism of candy and junk food as providing an atmosphere \u201cthat\u2019s actually safe\u201d while diving into a horror movie or exploring sexuality after trauma.<\/p>\n<p class=\"wp-block-paragraph\">\u201cThere is this idea that if it gets too real, you can turn it off, that you\u2019re exploring something dangerous, doing it in a way that\u2019s actually safe,\u201d said Schoenbrun, who is <a href=\"https:\/\/deadline.com\/tag\/non-binary\/\" id=\"auto-tag_non-binary\" data-tag=\"non-binary\">non-binary<\/a>. \u201cWhich in my experience of coming into my sexual identity post-transition, kind of required some gummy candy on hand. What I mean by that is, even if we\u2019re going to be exploring scary and vulnerable and potentially embarrassing, triggering parts of ourselves, we trust each other well enough to know that at any moment, we can be like, \u2018Let\u2019s stop, we gotta just eat some fucking gummies.&#8217;\u201d<\/p>\n<p class=\"wp-block-paragraph\">In Schoenbrun\u2019s latest film, Hannah Einbinder stars as queer director Kris, who is tapped to helm a new installment of the long-running <em>Camp Miasma<\/em> horror franchise. While courting Billy Presley (Gillian Anderson), the actress who played the \u201cfinal girl\u201d in the original film, to reprise her role, the pair spirals into a psychosexual frenzy as the slasher\u2019s killer, Little Death (Jack Haven), comes to life.<\/p>\n<p class=\"wp-block-paragraph\">Acknowledging the problematic <a href=\"https:\/\/deadline.com\/tag\/trans\/\" id=\"auto-tag_trans\" data-tag=\"trans\">trans<\/a> representation of horror films like <em>Psycho<\/em> (1960), <em>Sleepaway Camp<\/em> (1983), <em>The Silence of the Lambs<\/em> (1991) and <em>Texas Chainsaw Massacre: The Next Generation<\/em> (1995), Schoenbrun admitted the genre has been \u201ccatnip to me since I was 10 years old,\u201d and they jumped at the chance to direct their own.<\/p>\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" height=\"1024\" width=\"791\" src=\"https:\/\/deadline.com\/wp-content\/uploads\/2026\/08\/P107J5KZ.jpg?w=791\" alt=\"Jane Schoenbrun at the \" teenage=\"\" sex=\"\" and=\"\" death=\"\" at=\"\" camp=\"\" miasma=\"\" new=\"\" york=\"\" premiere=\"\" held=\"\" metrograph=\"\" on=\"\" august=\"\" in=\"\" york.=\"\" class=\"wp-image-1237029523\" srcset=\"https:\/\/deadline.com\/wp-content\/uploads\/2026\/08\/P107J5KZ.jpg 1545w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/08\/P107J5KZ.jpg?resize=116,150 116w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/08\/P107J5KZ.jpg?resize=232,300 232w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/08\/P107J5KZ.jpg?resize=791,1024 791w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/08\/P107J5KZ.jpg?resize=1187,1536 1187w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/08\/P107J5KZ.jpg?resize=77,100 77w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/08\/P107J5KZ.jpg?resize=46,60 46w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/08\/P107J5KZ.jpg?resize=352,456 352w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/08\/P107J5KZ.jpg?resize=150,194 150w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/08\/P107J5KZ.jpg?resize=110,142 110w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/08\/P107J5KZ.jpg?resize=285,369 285w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/08\/P107J5KZ.jpg?resize=185,240 185w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/08\/P107J5KZ.jpg?resize=320,414 320w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/08\/P107J5KZ.jpg?resize=371,480 371w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/08\/P107J5KZ.jpg?resize=640,828 640w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/08\/P107J5KZ.jpg?resize=464,600 464w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/08\/P107J5KZ.jpg?resize=800,1036 800w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/08\/P107J5KZ.jpg?resize=593,768 593w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/08\/P107J5KZ.jpg?resize=1024,1326 1024w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/08\/P107J5KZ.jpg?resize=1280,1657 1280w\" sizes=\"auto, (min-width: 87.5rem) 1000px, (min-width: 78.75rem) 681px, (min-width: 48rem) 450px, (max-width: 48rem) 250px\"\/><figcaption class=\"wp-element-caption\">Jane Schoenbrun attends the \u2018Teenage Sex and Death at Camp Miasma\u2019 premiere on Aug. 5, 2026 in New York City.<\/figcaption><\/figure>\n<p class=\"wp-block-paragraph\">\u201cSo many slashers do have this sense of humor, and even if they\u2019re not overtly meta like the <em>Scream<\/em> movies are, they\u2019re so aware of their own tropes and the sort of rituals \u2026 And I just loved that from a young age and loved all of the little rituals within it, and so, getting to make my own is just like play and joy,\u201d they explained.<\/p>\n<p class=\"wp-block-paragraph\">\u201cBut it also felt like the perfect way to talk about sex and to talk about my experience as a trans person post-transition, learning how to come into a sexual identity that I could feel comfortable within, because so many of these movies are obviously deeply engaged in gender and sexual roles, and these movies have so much to say for better or for worse about deviants,\u201d said Schoenbrun. \u201cIt is there in the DNA of the slasher genre that these movies are talking about fear and desire, gender and sexuality, normativity and deviance. And that\u2019s all swimming in the toxic soup of the genre, so I wanted to remake it in my own language.\u201d<\/p>\n<p class=\"wp-block-paragraph\">Read on about Jane Schoenbrun\u2019s love letter to the slasher genre with <em>Teenage Sex and Death at Camp Miasma<\/em>, now playing in theaters.<\/p>\n<p class=\"wp-block-paragraph\"><strong>DEADLINE: <em>It was really fun to see the slasher genre through your eyes. Tell me about finding inspiration in that genre and \u201cfinal girls.\u201d\u00a0<\/em><\/strong><\/p>\n<p class=\"wp-block-paragraph\"><strong>JANE SCHOENBRUN:<\/strong> I mean, it was the easiest thing in the world because it\u2019s just one of those genres that has been catnip to me since I was 10 years old. I just raided the horror section of the video store as a kid from an age when I really shouldn\u2019t have been doing that, like in 5th grade, I watched in the span of about one week, every <em>Nightmare on Elm Street<\/em> movie. I think that I was always drawn to movies and really anything entertainment where it felt forbidden in some way, like the thing on the tape, how is that even allowed? And that\u2019s the thing that I love about a lot of my favorite slashers. Don\u2019t get me wrong, I love like brutal ones, like I love <em>Texas Chainsaw<\/em>, that\u2019s a nasty movie at its core, and that\u2019s what\u2019s so special about it. But so many slashers do have this sense of humor, and even if they\u2019re not overtly meta like the <em>Scream<\/em> movies are, they\u2019re so aware of their own tropes and the sort of rituals of, OK, what\u2019s the most outrageous way that like these like dumb kids can get killed? But watching it, it\u2019s not about fear a lot of the time, it\u2019s about joy and celebration. And I just loved that from a young age and loved all of the little rituals within it, and so, getting to make my own is just like play and joy. But it also felt like the perfect way to talk about sex and to talk about my experience as a trans person post-transition, learning how to come into a sexual identity that I could feel comfortable within, because so many of these movies are obviously deeply engaged in gender and sexual roles, and these movies have so much to say for better or for worse about deviants, whether that be Norman Bates or Buffalo Bill or <em>Sleepway Camp<\/em> or Jason, Michael Myers, Leatherface in drag. It is there in the DNA of the slasher genre that these movies are talking about fear and desire, gender and sexuality, normativity and deviance. And that\u2019s all swimming in the toxic soup of the genre, so I wanted to remake it in my own language.\u00a0<\/p>\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" height=\"573\" width=\"1024\" src=\"https:\/\/deadline.com\/wp-content\/uploads\/2026\/08\/MCDTESE_K3003.jpg?w=1024\" alt=\"\" class=\"wp-image-1237029521\" srcset=\"https:\/\/deadline.com\/wp-content\/uploads\/2026\/08\/MCDTESE_K3003.jpg 2872w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/08\/MCDTESE_K3003.jpg?resize=150,84 150w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/08\/MCDTESE_K3003.jpg?resize=300,168 300w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/08\/MCDTESE_K3003.jpg?resize=1024,573 1024w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/08\/MCDTESE_K3003.jpg?resize=1536,860 1536w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/08\/MCDTESE_K3003.jpg?resize=2048,1147 2048w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/08\/MCDTESE_K3003.jpg?resize=179,100 179w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/08\/MCDTESE_K3003.jpg?resize=125,70 125w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/08\/MCDTESE_K3003.jpg?resize=660,370 660w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/08\/MCDTESE_K3003.jpg?resize=450,253 450w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/08\/MCDTESE_K3003.jpg?resize=250,140 250w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/08\/MCDTESE_K3003.jpg?resize=380,212 380w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/08\/MCDTESE_K3003.jpg?resize=296,166 296w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/08\/MCDTESE_K3003.jpg?resize=248,139 248w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/08\/MCDTESE_K3003.jpg?resize=200,112 200w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/08\/MCDTESE_K3003.jpg?resize=270,152 270w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/08\/MCDTESE_K3003.jpg?resize=60,34 60w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/08\/MCDTESE_K3003.jpg?resize=352,197 352w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/08\/MCDTESE_K3003.jpg?resize=110,62 110w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/08\/MCDTESE_K3003.jpg?resize=285,160 285w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/08\/MCDTESE_K3003.jpg?resize=320,179 320w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/08\/MCDTESE_K3003.jpg?resize=640,358 640w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/08\/MCDTESE_K3003.jpg?resize=800,448 800w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/08\/MCDTESE_K3003.jpg?resize=1280,717 1280w\" sizes=\"auto, (min-width: 87.5rem) 1000px, (min-width: 78.75rem) 681px, (min-width: 48rem) 450px, (max-width: 48rem) 250px\"\/><figcaption class=\"wp-element-caption\">\u2018Teenage Sex and Death at Camp Miasma\u2019 (2026)<\/figcaption><\/figure>\n<p class=\"wp-block-paragraph\"><strong>DEADLINE: <em>I\u2019m curious about the symbolism of all the processed junk food and the chandelier of wrappers.<\/em><\/strong><\/p>\n<p class=\"wp-block-paragraph\"><strong>SCHOENBRUN:<\/strong> The junk food in the movie, I forget when it found its way in there. It\u2019s like so much of the movie is about, like I said, ritual, about being in a mindset where you can really enjoy something scary, whether that be Kris [Hannah Einbinder] in bed, with, you know, with Raisinets and the popcorn, watching a schlocky horror movie, or the two characters learning how to be present and enjoy sex after a lot of trauma. There is this idea that if it gets too real, you can turn it off, that you\u2019re exploring something dangerous, doing it in a way that\u2019s actually safe. Which in my experience of coming into my sexual identity post-transition, kind of required some gummy candy on hand. What I mean by that is, even if we\u2019re going to be exploring scary and vulnerable and potentially embarrassing, triggering parts of ourselves, we trust each other well enough to know that at any moment, we can be like, \u201cLet\u2019s stop, we gotta just eat some fucking gummies.\u201d<\/p>\n<p class=\"wp-block-paragraph\"><strong>DEADLINE: <em>And one thing I really love\u2014I just feel like it\u2019s a theme in your work\u2014is how it depicts the way media and entertainment influence us. Why does that inspire you?\u00a0<\/em><\/strong><\/p>\n<p class=\"wp-block-paragraph\"><strong>SCHOENBRUN: <\/strong>I think it comes from a fascination and sensitivity to the complex relationship between what we think of as fiction and what we think of as reality, which we tend to, as a society, think of as pointing in one direction. Like, reality dictates fiction, not vice-versa, but when you actually look at the way the world works, it\u2019s like one echoes off the other. And I think a complicated, sometimes terrifying and sometimes beautiful way, where the fiction, the cultural norms, the things we grow up looking at on our screens, the roles that we\u2019re told people play, they kind of inspire us to create reality. There\u2019s something liberating when you start thinking in that way. I think it\u2019s a way of thinking that we as a culture, could do a lot more of. To think about the idea of fiction inspiring reality just as much as reality is inspiring fiction, is a potential path to liberating us from this hellscape that they\u2019re telling us is the only way the world can be.\u00a0<\/p>\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" height=\"572\" width=\"1024\" src=\"https:\/\/deadline.com\/wp-content\/uploads\/2026\/08\/MCDTESE_K3008.jpg?w=1024\" alt=\"\" class=\"wp-image-1237029522\" srcset=\"https:\/\/deadline.com\/wp-content\/uploads\/2026\/08\/MCDTESE_K3008.jpg 2855w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/08\/MCDTESE_K3008.jpg?resize=150,84 150w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/08\/MCDTESE_K3008.jpg?resize=300,168 300w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/08\/MCDTESE_K3008.jpg?resize=1024,572 1024w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/08\/MCDTESE_K3008.jpg?resize=1536,858 1536w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/08\/MCDTESE_K3008.jpg?resize=2048,1144 2048w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/08\/MCDTESE_K3008.jpg?resize=179,100 179w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/08\/MCDTESE_K3008.jpg?resize=125,70 125w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/08\/MCDTESE_K3008.jpg?resize=660,370 660w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/08\/MCDTESE_K3008.jpg?resize=250,140 250w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/08\/MCDTESE_K3008.jpg?resize=380,212 380w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/08\/MCDTESE_K3008.jpg?resize=296,166 296w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/08\/MCDTESE_K3008.jpg?resize=248,139 248w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/08\/MCDTESE_K3008.jpg?resize=200,112 200w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/08\/MCDTESE_K3008.jpg?resize=270,152 270w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/08\/MCDTESE_K3008.jpg?resize=60,34 60w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/08\/MCDTESE_K3008.jpg?resize=352,197 352w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/08\/MCDTESE_K3008.jpg?resize=110,61 110w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/08\/MCDTESE_K3008.jpg?resize=285,159 285w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/08\/MCDTESE_K3008.jpg?resize=320,179 320w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/08\/MCDTESE_K3008.jpg?resize=640,358 640w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/08\/MCDTESE_K3008.jpg?resize=800,447 800w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/08\/MCDTESE_K3008.jpg?resize=1280,715 1280w\" sizes=\"auto, (min-width: 87.5rem) 1000px, (min-width: 78.75rem) 681px, (min-width: 48rem) 450px, (max-width: 48rem) 250px\"\/><figcaption class=\"wp-element-caption\">Gillian Anderson in \u2018Teenage Sex and Death at Camp Miasma\u2019 (2026)<\/figcaption><\/figure>\n<p class=\"wp-block-paragraph\"><strong>DEADLINE: <em>And I know you have the <\/em>Secretary<em> reading. Tell me what it\u2019s been like prepping for that and why you all chose that movie.\u00a0<\/em><\/strong><\/p>\n<p class=\"wp-block-paragraph\"><strong>SCHOENBRUN:<\/strong> I mean, that was such a huge influence on on <em>Miasma<\/em>. There just aren\u2019t that many fun and funny movies about deviant sex. And just the way that movie is like feather light while talking about really raw and taboo things, it is just really inspiring to me. And the dynamic between those two main characters is definitely one that had a lot of influence on on Kris and Billy\u2019s [Gillian Anderson] relationship in <em>Miasma<\/em>. And it\u2019s already to me a very queer movie in its way, but having Gillian reading the James Spader part and Hannah reading the Maggie Gyllenhaal part, I think it\u2019s just gonna be like a very unique joy. Honestly, we\u2019ve been prepping a little bit, but I think it\u2019s just gonna be about getting up there and feeling the chemistry of it all, and just letting these folks who we have all gotten to know each other really, really well, but we haven\u2019t actually done anything wacky and creative like that in a while, like as a reunion, it\u2019s gonna be a real blast, I think.<\/p>\n<\/div>\n<script async=\"async\" data-cfasync=\"false\" src=\"https:\/\/pl30214220.effectivecpmnetwork.com\/9ab3d4df8a7e1a6171e16ddbf732cc19\/invoke.js\"><\/script>\r\n<div id=\"container-9ab3d4df8a7e1a6171e16ddbf732cc19\"><\/div>\r\n\n","protected":false},"excerpt":{"rendered":"<p>With their latest directorial outing, Jane Schoenbrun used subtle pieces of nostalgia to deconstruct the slasher genre. The Teenage Sex and Death at Camp Miasma writer\/director explained to Deadline that they wanted to create \u201ca mindset where you can really enjoy something scary,\u201d noting the frequent symbolism of candy and junk food as providing an&#8230;<\/p>\n","protected":false},"author":1,"featured_media":34074,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"https:\/\/deadline.com\/wp-content\/uploads\/2026\/08\/MCDTESE_K3011.jpg?w=1024","fifu_image_alt":"","footnotes":""},"categories":[6],"tags":[],"class_list":["post-34073","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pics-news"],"brizy_media":[],"_links":{"self":[{"href":"https:\/\/usnews-14267fa.ingress-comporellon.ewp.live\/index.php?rest_route=\/wp\/v2\/posts\/34073","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/usnews-14267fa.ingress-comporellon.ewp.live\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/usnews-14267fa.ingress-comporellon.ewp.live\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/usnews-14267fa.ingress-comporellon.ewp.live\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/usnews-14267fa.ingress-comporellon.ewp.live\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=34073"}],"version-history":[{"count":0,"href":"https:\/\/usnews-14267fa.ingress-comporellon.ewp.live\/index.php?rest_route=\/wp\/v2\/posts\/34073\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/usnews-14267fa.ingress-comporellon.ewp.live\/index.php?rest_route=\/wp\/v2\/media\/34074"}],"wp:attachment":[{"href":"https:\/\/usnews-14267fa.ingress-comporellon.ewp.live\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=34073"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/usnews-14267fa.ingress-comporellon.ewp.live\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=34073"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/usnews-14267fa.ingress-comporellon.ewp.live\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=34073"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}